Tagged: art

Beautiful trifecta: Moff’s Law, Victorian art and snarking PUAs

Moff’s Law states, in a roundabout way, that critical discussions of art and entertainment will inevitably attract a commenter who says something like “it’s just a [book/movie/TV show/artwork], why do you have to analyse it???” and further that said commenter should shut the fuck up.

Because analysing art and entertainment actually makes it more fun for a lot of people.

Today’s fantastic example of this comes from Tumblr:

She is upset, devastated in a way that one is only when someone has died. And the guy’s still bothering her, like her problems are flippant bullshit and she needs to just smile or pay attention to him because ladies are supposed to be pleasing for men no matter what shit they’re going through.

19th-century art as a gateway to critiquing the “pick-up artist” movement.  Brilliant.

H/T Manboobz

Sean Plunket says it all re the Dowse exhibit

Remember my thoughts on Paul Young’s complaint about the Dowse exhibit which men can’t see?

But here’s the thing that pisses me off:  it seems like old white dudes like Paul Young have honestly drunk the anti-PC KoolAid.  They sincerely believe that the Human Rights Commission has some kind of god-like power to storm the Dowse, tear down the curtains around Sophia Al-Maria’s exhibit and instantly beam its images into the heads of all good Kiwi men so that SEXIST OPPRESSION SHALL BE NO MORE!!!!

Boy, is he in for a surprise.

Lest you think I was just being an hysterical feminist, here’s how Sean Plunket literally thinks the mediation process should go:

1: The commission tells the Dowse and the council it appears to be breaching our laws on discrimination. 2: The council and the Dowse say sorry and lift the restrictions. 3: The complainants say thank you to the commission for upholding the law and to the council and the Dowse for pulling their heads in. 4: The outcome of the mediation is made public.

That’s right.  At the merest appearance of discrimination, without weighing any of the actual harm involved (you know, like our actual law requires) the Gallery should instantly back down and says “oh shit, sorry, I’ll do whatever the whiney white men want.”

(And, just by-the-by, breach their agreement with the artist and her participants.  But who cares, right, they’re just silly brown women who Need To Be Saved.)

Do you think this is actually how Sean Plunket thinks our human rights framework works?  Or just how it should work when the group being “oppressed” (by, let’s remember, not being allowed to see a three-minute video screened in a storage area which the participants don’t consent to them seeing) is entitled dudes?

Full kudos to commenter no. 1, Guy, for summing this up in terms even Sean and Paul Young should be able to understand:

Sean, you’re being rather silly. It is the same as a man wanting to go and look inside a women’s changing room. While you might well want to sneak a peek at what they look like with their clothes off / veils off, the women concerned do not want men to see them like that, and so men are banned from the changing room. Anyone caught drilling holes in the changing room walls is arrested and branded a pervert. End of story.

The thin end of the wedge: art edition

Background here.

Paul Young, who really, really has to see a video of women who agreed to be filmed under the condition men not look at them, thinks this whole Dowse thing is “the thin end of the wedge.”

I agree.  Why, allow this 3-minute video to be shown off in a tiny blocked-off out-of-the-way of a public gallery, and what’s next? Five-minute videos?  Ten??????  My god, they might extend it to an area larger than a toilet cubicle!  It might not be tucked away behind the reception desk!

Seriously, though, watch the 3News video.  Now when they’re talking about Paul and his mates “politely asking” to see something in the full knowledge it violates the wishes of the participants, who talks about “respectfully declining”?  The gallery head does.  Who brings up “maybe they’ll call in the police!!!!”?  Paul Young does.  Gee, which side do you think is trying to stir shit up?  Which side do you think has a grandiose sense of entitlement?

If the Dowse Gallery is clever, they will have a handy power switch at reception which will stop the exhibit playing if any entitled wankers like Paul Young try to bully their way into an exhibition which does not affect them, does not impede them, does not harm them – except for the terrible damage done to their privilege.

Paul Young is hopeful they’ll “sway” the issue – i.e. the exhibit will be “canned” and no one will be allowed to see it.  Because Muslim women’s ability to have private spaces and interactions outside the male gaze is that fucking threatening, apparently.

White male privilege:  you haz it, Paul.

Banning men from looking at women who don’t consent: that’s real discrimination

The story:  Old white man is pissy because an artist recorded a group of Muslim women in a situation where they would not consent to be looked at by strange men.  Artist offers artwork on that condition; Dowse Gallery accepts.

There’s a lot of argument going down around the fact that the Dowse is publicly-funded, is this discrimination, do we owe it to the poor oppressed brown women to tear away their autonomy because they’re too stupid to know they’re oppressed … yeah, guess where I fall on that one.

But here’s the thing that pisses me off:  it seems like old white dudes like Paul Young have honestly drunk the anti-PC KoolAid.  They sincerely believe that the Human Rights Commission has some kind of god-like power to storm the Dowse, tear down the curtains around Sophia Al-Maria’s exhibit and instantly beam its images into the heads of all good Kiwi men so that SEXIST OPPRESSION SHALL BE NO MORE!!!!

Boy, is he in for a surprise.

Here’s what Paul Young says – and our brave, fact-checking media offer no clue that he’s talking out his ass:

Human rights legislation did not allow for exceptions on the basis of art or religious belief, Mr Young said.

BZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ.

Per the Human Rights Commission’s bloody-hard-to-navigate website:

There are a number of circumstances where it is not unlawful to discriminate on the ground of religious belief.

Hence, you know, why the Catholics still get to ban women from the priesthood.  I’m not saying this exception necessarily applies in the case of the Dowse, but again:  don’t you just love how someone who has probably never previously even thought about our human rights legislation assumes that NOTHING IS EXCEPTED, ALL OPPRESSION IS PUNISHABLE BY DEATH?

As for the merits of Mr Young’s case, I refer him to the HRC’s “Resolving Discrimination and Harassment Guide”:

A person must be disadvantaged because of the discrimination.

Now, if an Art History lecturer decides to make Sophia Al-Maria’s work a central part of a third-year compulsory Art History paper, and bases half the final exam marks on it, and then tells the men in the class “Ha, sucks to be you, wankers” then maybe Paul Young might have a case.

But it’s frankly fucking appalling to me that he’s going to sit there and – having made his complaint and thus presumably having read that guide – pretend that not being able to see an exhibit (which I’m sure, to riff off someone on Twitter, is right up his alley as an enthusiast in Qatari women’s domestic subcultures) is any-fucking-where near being “disadvantaged”.  Disadvantaged the way pregnant people are when they get fired.  Disadvantaged the way people of colour are when they happen to get arrested more often and sentenced to longer prison terms than white people.

Fuck me, his fee-fees must be so hurt right now.  Why don’t the mean Muslim women care about his fee-fees?

I think the issues on this are kinda complex, but also fairly simple to me in a “you don’t get to stomp on other people’s consent just because you’ve convinced yourself it’s for their own good” way.  And maybe under our human rights framework the Dowse, as a recipient of public funding, shouldn’t have accepted the exhibit – but that’s a choice they made, clearly aware of the issues involved.

But on one side is an artist and the rights to privacy of her subjects.  And on the other is Paul Young, whose main gripe seems to be, completely without irony, that it’s totally unfair to stop 50% of the population from seeing a single art exhibit, which I’m so sure they were all completely interested in.

Some further reading on the HRC website:  “Why can some groups of people be treated differently?” for all you WAAAAA AFFIRMATIVE ACTION STOPPED ME GETTING INTO LAW SCHOOL WAAAAAA trolls out there.